ÇöÀçÀ§Ä¡ : HOME >   >  
MIDAS PRO1, ¸¶ÀÌ´Ù½º µðÁöÅÐ ¹Í½ÌÄܼÖ, ¿Àµð¿À¹Í¼­
ÆǸŰ¡°Ý  :

ºê·£µå  : MIDAS
Á¦Á¶»ç  : MIDAS

¼Ò°³Çϱ⠠:

ÁÖ¹®¼ö·®  :
°³

ÇÒÀοäû°¡°Ý ¿ø
¿¬¶ôó






The PRO1 breaks new ground for MIDAS digital consoles, featuring an all-new, lightweight aluminium frame, PRO1 is the first stand-alone MIDAS digital console, and sets new standards of portability and performance for a ¡°compact¡± digital console. PRO1 is easy to configure and operate. Engineers who are new to MIDAS digital can relax, enjoy the PRO1¡¯s sample-synchronous audio quality, and mix from well within their comfort zone. Engineers familiar with MIDAS can just load their existing showfile straight into the PRO1, regardless of which MIDAS digital console it was created on, and carry on working.
 
¢Â ÀÀ¿ëºÐ¾ß : Äܼ­Æ® À½Çâ ·»Å» ȸ»ç, ±â¾÷ ·»Å», ±ØÀå ´ë¿©, °íÁ¤ ¼³Ä¡ – ±ØÀåÀ̳ª ÄÁÆÛ·±½º ¼¾ÅÍ µî, °íÁ¤ ¼³Ä¡ – ±³È¸ µî Á¾±³½Ã¼³
 
 
 
 


 
The fixed-format, integrated audio I/O on the rear of the surface features the following connections:
 
¤ý24 x analogue mic/line inputs with MIDAS mic pre's (XLR)
¤ý16 XLR analogue outputs
¤ý2 x AES3 inputs and 3 x AES3 outputs (XLR)
¤ý3 x AES50 ports (RJ45)
¤ýLocal monitor A L&R and Local monitor B L&R (XLR)
¤ýLeft, Right and Mono master outputs (XLR)
¤ýTalk output (XLR)
¤ýTalk Mic input (XLR)
 
Additional non-audio rear panel connections are :
 
¤ýMIDI in, out and through
¤ýAES3 clock in and out (XLRM & XLRF)
¤ýWordclock in and out (2 x BNC)
¤ýVideo (black burst) sync in (BNC)
¤ýDVI video output from console screen (DVI)
¤ýEthernet control port (Ethercon RJ45)
¤ýUSB port (USB A)
 
 
 




 
 


 
 


 
 
 
 
 
 


 
 






Specification
Primary Input Channel Functions
Input Channel Hi Pass
 
10 Hz to 400 Hz swept slope selectable

12 dB/Oct or 24 dB/Oct
Input Channel Lo Pass
 
2 kHz to 20 kHz swept slope selectable

6 dB/Oct or12 dB/Oct
Input Channel Treble
 
 
 
 
 
 
 
 
 
Parametric Operation

Frequency 1 kHz to 25 kHz swept

Gain +16 dB to -16 dB

BW 0.1 Oct to 3 Oct


Shelf Operation

Frequency 1 kHz to 25 kHz swept

Gain +16 dB to -16 dB

Soft, Classic or Bright

(minimum harmonic disruption) curves
Input Channel Hi Mid
 
 
 
Parametric Operation

Frequency 320 Hz to 8 kHz swept

Gain +16 dB to -16 dB

BW 0.1 Oct to 3 Oct
Input Channel Lo Mid
 
 
 
Parametric Operation

Frequency 80 Hz to 2 kHz swept

Gain +16 dB to -16 dB

BW 0.1 Oct to 3 Oct
Input Channel Bass
 
 
 
 
 
 
 
 
 
Parametric Operation

Frequency 16 Hz to 400 Hz swept

Gain +16 dB to -16 dB

BW 0.1 Oct to 3 Oct


Shelf Operation

Frequency 16 Hz to 400 Hz swept

Gain +16 dB to -16 dB

Warm, Classic or Deep

(minimum harmonic disruption) curves
Input Channel Compressor
 
 
 
 
 
 
 
 
 
 
Peak, Linear, RMS, Vintage modes

Thresh -50 dBu to +20 dBu

Attack 200 uS to 20 mS

Release 50 mS to 3 Sec

Ratio 25:1 to 1:1

Knee 4 dB, 12 dB or 40 dB


Gain 0 dB to +24 dB

Side chain source selectable + filter

Frequency 50 Hz to 15 kHz swept

Bandwidth 1/3, 1 or 2 Oct
Input Channel Gate
 
 
 
 
 
 
 
 
 
Peak mode

Thresh -50 dBu to +20 dBu

Attack 10 uS to 20 mS

Hold 5 mS to 2 Sec

Release 2 mS to 2 Sec

Range 100 dB to 0 dB


Side chain source selectable + filter

Frequency 50 Hz to 15 kHz swept

Bandwidth 1/3, 1 or 2 Oct
Auxiliary Input Channel Functions
Aux Channel Band 6
 
 
 
 
 
 
 
 
 
 
 
Parametric Operation

Frequency 16 Hz to 25 kHz swept

Gain +16 dB to -16 dB

BW 0.1 Oct to 3 Oct

Lo Pass Operation

Frequency 16 Hz to 25 kHz swept

Slope 6 dB/Oct or 12 dB/Oct
 
Shelf Operation

Frequency 16 Hz to 25 kHz swept

Gain +16 dB to -16 dB

Mode soft curve
Aux Channel bands 3,4,5
 
 
 
Parametric Operation

Frequency 16 Hz to 25 kHz swept

Gain +16 dB to -16 dB

BW 0.1 Oct to 3 Oct
Aux Channel Band 2
 
 
 
 
 
 
Parametric Operation

Frequency 16 Hz to 25 kHz swept

Gain +16 dB to –16 dB

BW 0.1 Oct to 3 Oct

Hi Pass Operation

Frequency 16 Hz to 25 kHz swept

Slope 24 dB/Oct
Aux Channel Band 1
 
 
 
 
 
 
 
 
 
 
 
Parametric Operation

Frequency 16 Hz to 25 kHz swept

Gain +16 dB to -16 dB.

BW 0.1 Oct to 3 Oct

Hi Pass Operation.

Frequency 16 Hz to 25 kHz swept

Slope 6 dB/Oct or 12 dB/Oct.

Shelf Operation

Frequency 16 Hz to 25 kHz swept

Gain +16 dB to -16 dB

Mode soft curve
Output Channel Functions
Output Channel Band 6
 
 
 
 
 
 
 
 
 
 
 
 
Parametric Operation

Frequency 16 Hz to 25 kHz swept

Gain +16 dB to -16dB

BW 0.1 Oct to 3 Oct


Lo Pass Operation

Frequency 16 Hz to 25 kHz swept

Slope 6 dB/Oct or 12 dB/Oct


Shelf Operation

Frequency 16 Hz to 25 kHz swept

Gain +16 dB to -16 dB

Mode soft curve
Output Channel bands 3,4,5
 
 
 
Parametric Operation

Frequency 16Hz to 25kHz swept

Gain +16dB to –16dB

BW 0.1 Oct to 3 Oct
Output Channel Band 2
 
 
 
 
 
 
Parametric Operation

Frequency 16 Hz to 25 kHz swept

Gain +16 dB to -16 dB

BW 0.1 Oct to 3 Oct

Hi Pass Operation

Frequency 16 Hz to 25 kHz swept

Slope 24 dB/Oct
Output Channel Band 1
 
 
 
 
 
 
 
 
 
 
 
Parametric Operatio

Frequency 16 Hz to 25 kHz swept

Gain +16 dB to -16 dB

BW 0.1 Oct to 3 Oct

Hi Pass Operation.

Frequency 16 Hz to 25 kHz swept

Slope 6 dB/Oct or 12 dB/Oct.


Shelf Operation

Frequency 16 Hz to 25 kHz swept

Gain +16 dB to -16 dB

Mode soft curve
Output Channel GEQ
 
 
 
 
 
8 available in place of PEQ (above)

31 Bands. 1/3 Oct. Proportional Q

Lo Pass Frequency 2 kHz to 20 kHz swept

Slope 6 dB/Oct or 12 dB/Oct

Hi Pass Frequency 20 Hz to 500 Hz swept

Slope 6 dB/Oct or 12 dB/Oct
Output Channel Dynamic
 
 
 
 
 
 
 
 
 
 
Pk, Linear, RMS, Vintage, Shimmer modes

Thresh -50 dBu to +20 dBu

Attack 200 uS to 20 mS

Release 50 mS to 3 Sec

Ratio 25:1 to 1:1

Knee 4 dB, 12 dB or 40 dB

Gain 0 dB to +24 dB


Side chain source selectable + filter

Frequency 50 Hz to 15 kHz swept

Bandwidth 1/3, 1 or 2 Oct
Effects Channel Functions
Effects Channel
 
 
 
 
16 available configurable as

Stereo or mono in, stereo out

Modulated delay effects

Complex delay, reverbs

Advanced dynamics
* ½Ã½ºÄÚÅØ(µÎ´ã¼ÒÇÁÆ®)¿¡¼­ Á¦ÀÛµÈ À̹ÌÁöÀÇ ¹«´Ü ½ºÅ©·¦ ¹× µµ¿ë½Ã »óÇ¥±Ç ¹× ƯÇã¹ý¿¡ ÀÇÇÑ Ã³¹úÀ» ¹ÞÀ¸½Ç¼ö ÀÖ½À´Ï´Ù.
À§ »óÇ°°ú °ü·ÃµÈ »óÇ°ÀÌ ¾ø½À´Ï´Ù.
¹øÈ£ Á¦¸ñ À̸§ º°Á¡ ³¯Â¥
¾ÆÁ÷ ÀÛ¼ºµÈ »óÇ°ÆòÀÌ ¾ø½À´Ï´Ù.
 
¹øÈ£ Á¦¸ñ À̸§ ³¯Â¥ ºñ°í
ÀÛ¼ºµÈ »óÇ°¹®ÀÇ°¡ ¾ø½À´Ï´Ù.
 
±¸ÀÔÁ¦Ç°ÀÇ ÀÌ»óÀÌ ÀÖÀ» °æ¿ì
- ±¸ÀÔÈÄ 5ÀÏ À̳»¿¡ µ¿ÀÏÁ¦Ç°À¸·Î ±³È¯ °¡´ÉÇÏ¸ç ¿î¼Ûºñ´Â ÆǸÅÀÚ ºÎ´ãÀÔ´Ï´Ù.
- ¹æ¼ÛÀåºñ´Â ¹Ú½º°³ºÀÈÄ¿¡´Â »óÇ°ÀÇ Àç±â´ÉÀ» ÇÒ ¼ö ¾ø¾î, ºÒ·®¿¡ ´ëÇÑ ±³È¯¸¸ °¡´ÉÇÏ¿À´Ï À¯ÀÇÇϽñæ¹Ù¶ø´Ï´Ù.
- ´Ù¸¥ Á¦Ç°À¸·Î ±³È¯, ¶Ç´Â ÀÌ»óÀÌ ¾ø´Â Á¦Ç°°ú ÇÔ²² ±³È¯À» ¿øÇÏ½Ç °æ¿ì ±¸¸ÅÀÚ²²¼­ ¿î¼Ûºñ¸¦ ºÎ´ãÇÕ´Ï´Ù.
- ´Ü,Á¦Ç°Æ¯¼º»ó ±³È¯¹×¹ÝÇ° ºÒ°¡Ç°¸ñ(°³Á¶,ÁöÁ¤)Àº 󸮰¡ ºÒ°¡ÇÏ¿À´Ï, Ç¥±âµÈ ¼³¸íÀ» ¼÷Áö¿ä¸ÁÇÕ´Ï´Ù.

±¸ÀÔÁ¦Ç°ÀÇ ÁÖ¹®³»¿ë°ú »óÇ°ÀÌ ´Ù¸¦ °æ¿ì (»ö»ó,»çÀÌÁî,´Ù¸¥»óÇ°±³È¯)
- ±¸ÀÔÈÄ 5ÀÏÀ̳» ±³È¯ °¡´ÉÇϸç ÆǸÅÀÚ²²¼­ ¿î¼Ûºñ¸¦ ºÎ´ãÇÕ´Ï´Ù.

°áÁ¦ÈÄ 2~5ÀÏ À̳»¿¡ »óÇ°À» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
±¹³» ÃÖ´ëÀÇ ¹°·ù»ç ¿ìü±¹Åùè,°æµ¿Åù踦 ÅëÇÏ¿© ½Å¼ÓÇÏ°í ¾ÈÀüÇÏ°Ô ¹è¼ÛµË´Ï´Ù.
50¸¸¿ø ÀÌ»ó ±¸ÀԽà ¹«·á¹è¼ÛÀÔ´Ï´Ù.
(Á¦ÁÖµµ¸¦ Æ÷ÇÔÇÑ µµ¼­,»ê°£Áö¿ªÀº Ç×°ø·á ¶Ç´Â µµ¼±·á°¡ Ãß°¡µË´Ï´Ù.)
°áÁ¦¹æ¹ýÀº ½Å¿ëÄ«µå, ±¹¹Î/BC(ISP), ¹«ÅëÀåÀÔ±Ý, Àû¸³±ÝÀÌ ÀÖ½À´Ï´Ù.
Á¤»óÀûÀÌÁö ¸øÇÑ °áÁ¦·Î ÀÎÇÑ ÁÖ¹®À¸·Î ÆÇ´ÜµÉ ¶§´Â ÀÓÀÇ·Î ¹è¼ÛÀÌ º¸·ùµÇ°Å³ª,ÁÖ¹®ÀÌ Ãë¼ÒµÉ ¼ö ÀÖ½À´Ï´Ù.
0 EA
no img
»ó´ã½Ã°£ ÆòÀÏ 09:00 ~ 19:00 Åä¿äÀÏ 09:00 ~ 19:00
»ó´ã ¹× ¹®ÀÇÀüÈ­ »ó´ãÆøÁÖ·Î ÀüÈ­»ó´ã ÀÓ½ÃÂ÷´Ü ( top@cisco-tech.net )
»óÈ£ : µÎ´ã¼ÒÇÁÆ®|343-050 Ãæ³² ¼­»ê½Ã ¾È°ß·Î 365-10 ¼­»ê·Ôµ¥ 114-1402, ¹ß¼Ûó : Ãæ³² ´çÁø½Ã ¹é¾Ï·Î 148(ä¿îµ¿, »õ¿òºôµù2Ãþ), (¹ß¼Ûó1 : ¼­¿ï½Ã ¿ë»ê±¸ ÇÑ°­·Î3°¡ ¿ë»êÀüÀÚ»ó°¡), (¹ß¼Ûó2 : ¼­¿ï½Ã Á¾·Î±¸ ³«¿øµ¿ ³«¿ø»ó°¡), (¹ß¼Ûó3 : °æ±âµµ ÆòÅýà ¼­Á¤µ¿/°æ±âµµ ¾çÁÖ½Ã) (¹ß¼Ûó4 : ´ëÀü ¼­±¸ ź¹æµ¿, Ãæ³² ºÎ¿©±º)
»ç¾÷ÀÚµî·Ï¹øÈ£ : 196-64-00322 (Á¤º¸È®ÀÎ)| Åë½ÅÆǸž÷½Å°í : Á¦ 2019-Ãæ³²¼­»ê-152 È£| ºÎ°¡Åë½Å»ç¾÷ÀÚ¹øÈ£ :
´ëÇ¥ÀÌ»ç : lee hwangjae| °³ÀÎÁ¤º¸ °ü¸®Ã¥ÀÓÀÚ : °ü¸®ÀÚ| °³ÀÎÁ¤º¸ º¸È£±â°£ : ȸ¿øÅ»Åð½Ã