ÇöÀçÀ§Ä¡ : HOME >   >  
RX1602 EURORACK PRO ÇÁ·ÎÆä¼Å³Î ´Ù¸ñÀû 16 ÀÔ·Â ÃÊÀú¼ÒÀ½ ¶óÀÎ ¹Í¼­
* ±¹³» °ø½Ä¼öÀÔ»ç Á¦Ç°ÀÔ´Ï´Ù. ³»¼öÁ¦Ç° ¾Æ´Ô´Ï´Ù.
ÆǸŰ¡°Ý  :

¿ø»êÁö  : ³×´ú¶õµå
ºê·£µå  : º£¸µ°Å
Á¦Á¶»ç  : BEHRINGER

¼Ò°³Çϱ⠠:

ÁÖ¹®¼ö·®  :
°³

ÇÒÀοäû°¡°Ý ¿ø
¿¬¶ôó


   





ÇÁ·ÎÆä¼Å³Î ´Ù¸ñÀû 16 ÀÔ·Â ÃÊÀú¼ÒÀ½ ¶óÀÎ ¹Í¼­
  • ¸Å¿ì À¯¿¬ÀûÀÎ ´Ù¸ñÀû ¼­ºê-¹Í¼­, ¸ÖƼ Æ®·¢ ¸ð´ÏÅ͸µ ¹Í¼­ & ·¹º§ Æ®·£½½·¹ÀÌÅÍ
  • °¢ ¼½¼ÇÀÇ °³º° ½ºÅ×·¹¿À ¶Ç´Â ¸ð³ë »ç¿ëÀ» À§ÇÑ 16°³ ¹ë·±½º ÇÏÀÌ-Çìµå·ë ¶óÀÎ ÀԷ´ÜÀÚ
  • ÃÊÀú¼ÒÀ½ ULN ¼³°è, °¡Àå ³ôÀº Çìµå·ë, Ãʸí·áÇÑ »ç¿îµå
  • ä³Î ´ç Àü¿ë ¹ë·±½º & ·¹º§ ÄÁÆ®·Ñ & +4/-10 ·¹º§ ¼±ÅÃ
  • À¯¿¬ÀûÀÎ ¸ð´ÏÅ͸µ, ·¹ÄÚµù ¶Ç´Â ÀÌÆåÆ®¸¦ À§ÇÑ ±Û·Î¹ú ¸¶½ºÅÍ ¼¾µå ÄÁÆ®·Ñ ±â´ÉÀÌ ÀÖ´Â ¼½¼Ç ´ç ¸ð´ÏÅÍ/FX ¼¾µå ÄÁÆ®·Ñ
  • Ãß°¡ÀûÀΠŬ¸³ Ç¥½Ã±â°¡ ÀÖ´Â ¼½¼Ç¸¶´Ù Á¶¸íÀÌ µé¾î¿À´Â ÀÌÁß ±â´ÉÀÇ À½¼Ò°Å ¹öÆ°´Â ½¬¿î ÀÔ·Â ¼Ò½º/·¹º§ Á¤º¸¸¦ Á¦°ø
  • Ãß°¡ÀûÀÎ À¯¿¬¼ºÀ» À§ÇØ Æù Ãâ·Â´ÜÀÚ¿¡ ÁöÁ¤ÇÒ ¼ö ÀÖ´Â ¸ð´ÏÅÍ/FX ½ÅÈ£
  • ¿ÞÂÊ, ¿À¸¥ÂÊ ¸ÞÀÎ ¹Í½º ½ÅÈ£¸¦ À§ÇÑ °íÁ¤¹Ð 2 x 7´Ü°è LED ·¹º§ ¹ÌÅÍ¿Í °³º° ·¹º§ ÄÁÆ®·Ñ
  • 0.25ÀÎÄ¡ TRS ¸ÞÀÎ ¹Í½º Ãâ·Â´ÜÀÚ & Àü¸éÆгο¡¼­ ½±°Ô ½ÇÇàÇÒ ¼ö ÀÖ´Â Àü¿ë ·¹º§ ÄÁÆ®·ÑÀÇ ÇìµåÆù Ãâ·Â´ÜÀÚ
  • ÃÖ¼ÒÀÇ ¼ÒÀ½ °£¼·À» À§ÇÑ µµ³ÓÇü Àü¿ø º¯¾Ð±â ½¯µå
  • °íÇ°Áú ºÎÇ°µé·Î ±¸¼ºµÇ¾î ¶Ù¾î³­ ¼ö¸í º¸Àå
  • º£¸µ°Å µ¶ÀϺ»»ç¿¡¼­ ÄÁ¼Á°ú ¼³°è ÁøÇà  
  • Å©±â 44.5  x 483 x 217 mm
  • ¹«°Ô 2.48kg
The RX1602 is an incredibly versatile 16-channel line mixer that works perfectly for monitoring multi-track recording projects, submixing multiple keyboards, sub-mixing samplers or mixing a small live set-up (for example, one keyboard and one microphone preamp). Its simple interface and intuitive features make it an invaluable addition to any recording enthusiast¡¯s or live performer¡¯s gear arsenal.

We Hate to Call it a ¡°Miracle Product,¡± but¡¦

Like a souped-up blender capable of liquefying golf balls and soda cans, the Eurorack Pro RX1602 can mix just about anything into a delicious sonic puree. If you¡¯re a keyboardist with more keyboards than pairs of socks, the RX1602 can submix all your inputs into a single stereo signal, saving you valuable inputs on your main mixer. Or, if you work frequently with hardware samplers in the studio, you can save yourself a ton of time by submixing your sampler¡¯s outputs with the RX1602. This mixer also makes monitoring your home recordings a breeze. Just hook it up to your PC equipped with recording software or a multi-track recorder to quickly and easily create a tasty monitor mix. If a one-person band is more your style, the RX1602 provides the perfect solution for mixing down a mic preamp along with a keyboard. From there, you need only send a single signal to the house¡¯s main mixer.

Channel With Care

The RX1602 comes equipped with all the necessary features to create the right mix for your sound. The 16 high-headroom inputs (8 stereo, 8 mono) can be used for individual line level instruments or component outputs. The ULN (Ultra Low-Noise) design¡¯s high headroom means you can run up to 16 HOT inputs without clipping – and at the same time be assured that there won¡¯t be any extra noise added by the mixer.

Each channel has its own balance and level controls, as well as illuminated double-function ¡°mute¡± buttons with ¡°clip¡± LEDs to help you avoid distortion. You also get highly accurate dual 7-segment LED level meters and an individual level control for left and right main mix signals. For further flexibility, the Monitor/FX signal is assignable to headphones. It all adds up to transparent, crystal-clear audio performance.
Sub-mix with samplers
Sub-mix with samplers
Keyboards sub-mixer
Keyboards sub-mixer
Monitoring multi-track recorder
Monitoring multi-track recorder
Small Live setup
Small Live setup
Callouts
Callouts















* ½Ã½ºÄÚÅØ(µÎ´ã¼ÒÇÁÆ®)¿¡¼­ Á¦ÀÛµÈ À̹ÌÁöÀÇ ¹«´Ü ½ºÅ©·¦ ¹× µµ¿ë½Ã »óÇ¥±Ç ¹× ƯÇã¹ý¿¡ ÀÇÇÑ Ã³¹úÀ» ¹ÞÀ¸½Ç¼ö ÀÖ½À´Ï´Ù.
À§ »óÇ°°ú °ü·ÃµÈ »óÇ°ÀÌ ¾ø½À´Ï´Ù.
¹øÈ£ Á¦¸ñ À̸§ º°Á¡ ³¯Â¥
¾ÆÁ÷ ÀÛ¼ºµÈ »óÇ°ÆòÀÌ ¾ø½À´Ï´Ù.
 
¹øÈ£ Á¦¸ñ À̸§ ³¯Â¥ ºñ°í
ÀÛ¼ºµÈ »óÇ°¹®ÀÇ°¡ ¾ø½À´Ï´Ù.
 
±¸ÀÔÁ¦Ç°ÀÇ ÀÌ»óÀÌ ÀÖÀ» °æ¿ì
- ±¸ÀÔÈÄ 5ÀÏ À̳»¿¡ µ¿ÀÏÁ¦Ç°À¸·Î ±³È¯ °¡´ÉÇÏ¸ç ¿î¼Ûºñ´Â ÆǸÅÀÚ ºÎ´ãÀÔ´Ï´Ù.
- ¹æ¼ÛÀåºñ´Â ¹Ú½º°³ºÀÈÄ¿¡´Â »óÇ°ÀÇ Àç±â´ÉÀ» ÇÒ ¼ö ¾ø¾î, ºÒ·®¿¡ ´ëÇÑ ±³È¯¸¸ °¡´ÉÇÏ¿À´Ï À¯ÀÇÇϽñæ¹Ù¶ø´Ï´Ù.
- ´Ù¸¥ Á¦Ç°À¸·Î ±³È¯, ¶Ç´Â ÀÌ»óÀÌ ¾ø´Â Á¦Ç°°ú ÇÔ²² ±³È¯À» ¿øÇÏ½Ç °æ¿ì ±¸¸ÅÀÚ²²¼­ ¿î¼Ûºñ¸¦ ºÎ´ãÇÕ´Ï´Ù.
- ´Ü,Á¦Ç°Æ¯¼º»ó ±³È¯¹×¹ÝÇ° ºÒ°¡Ç°¸ñ(°³Á¶,ÁöÁ¤)Àº 󸮰¡ ºÒ°¡ÇÏ¿À´Ï, Ç¥±âµÈ ¼³¸íÀ» ¼÷Áö¿ä¸ÁÇÕ´Ï´Ù.

±¸ÀÔÁ¦Ç°ÀÇ ÁÖ¹®³»¿ë°ú »óÇ°ÀÌ ´Ù¸¦ °æ¿ì (»ö»ó,»çÀÌÁî,´Ù¸¥»óÇ°±³È¯)
- ±¸ÀÔÈÄ 5ÀÏÀ̳» ±³È¯ °¡´ÉÇϸç ÆǸÅÀÚ²²¼­ ¿î¼Ûºñ¸¦ ºÎ´ãÇÕ´Ï´Ù.

°áÁ¦ÈÄ 2~5ÀÏ À̳»¿¡ »óÇ°À» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
±¹³» ÃÖ´ëÀÇ ¹°·ù»ç ¿ìü±¹Åùè,°æµ¿Åù踦 ÅëÇÏ¿© ½Å¼ÓÇÏ°í ¾ÈÀüÇÏ°Ô ¹è¼ÛµË´Ï´Ù.
50¸¸¿ø ÀÌ»ó ±¸ÀԽà ¹«·á¹è¼ÛÀÔ´Ï´Ù.
(Á¦ÁÖµµ¸¦ Æ÷ÇÔÇÑ µµ¼­,»ê°£Áö¿ªÀº Ç×°ø·á ¶Ç´Â µµ¼±·á°¡ Ãß°¡µË´Ï´Ù.)
°áÁ¦¹æ¹ýÀº ½Å¿ëÄ«µå, ±¹¹Î/BC(ISP), ¹«ÅëÀåÀÔ±Ý, Àû¸³±ÝÀÌ ÀÖ½À´Ï´Ù.
Á¤»óÀûÀÌÁö ¸øÇÑ °áÁ¦·Î ÀÎÇÑ ÁÖ¹®À¸·Î ÆÇ´ÜµÉ ¶§´Â ÀÓÀÇ·Î ¹è¼ÛÀÌ º¸·ùµÇ°Å³ª,ÁÖ¹®ÀÌ Ãë¼ÒµÉ ¼ö ÀÖ½À´Ï´Ù.
0 EA
no img
»ó´ã½Ã°£ ÆòÀÏ 09:00 ~ 19:00 Åä¿äÀÏ 09:00 ~ 19:00
»ó´ã ¹× ¹®ÀÇÀüÈ­ »ó´ãÆøÁÖ·Î ÀüÈ­»ó´ã ÀÓ½ÃÂ÷´Ü ( top@cisco-tech.net )
»óÈ£ : µÎ´ã¼ÒÇÁÆ®|343-050 Ãæ³² ¼­»ê½Ã ¾È°ß·Î 365-10 ¼­»ê·Ôµ¥ 114-1402, ¹ß¼Ûó : Ãæ³² ´çÁø½Ã ¹é¾Ï·Î 148(ä¿îµ¿, »õ¿òºôµù2Ãþ), (¹ß¼Ûó1 : ¼­¿ï½Ã ¿ë»ê±¸ ÇÑ°­·Î3°¡ ¿ë»êÀüÀÚ»ó°¡), (¹ß¼Ûó2 : ¼­¿ï½Ã Á¾·Î±¸ ³«¿øµ¿ ³«¿ø»ó°¡), (¹ß¼Ûó3 : °æ±âµµ ÆòÅýà ¼­Á¤µ¿/°æ±âµµ ¾çÁÖ½Ã) (¹ß¼Ûó4 : ´ëÀü ¼­±¸ ź¹æµ¿, Ãæ³² ºÎ¿©±º)
»ç¾÷ÀÚµî·Ï¹øÈ£ : 196-64-00322 (Á¤º¸È®ÀÎ)| Åë½ÅÆǸž÷½Å°í : Á¦ 2019-Ãæ³²¼­»ê-152 È£| ºÎ°¡Åë½Å»ç¾÷ÀÚ¹øÈ£ :
´ëÇ¥ÀÌ»ç : lee hwangjae| °³ÀÎÁ¤º¸ °ü¸®Ã¥ÀÓÀÚ : °ü¸®ÀÚ| °³ÀÎÁ¤º¸ º¸È£±â°£ : ȸ¿øÅ»Åð½Ã